R.E.M.’s 1982 debut project, “Chronic Town,” is a far cry from their internationally acclaimed later albums and songs. However “Chronic Town” still has a great, if less refined, new wave sound and is consistent in quality throughout its duration.
The first track of the project is “Wolves, Lower” and introduces the listener to the echoey, new wave guitar sound that is present throughout the EP. The song is fast and energetic and acts as a strong and solid introduction. It features layered vocals and a sort of D.I.Y. sound associated with the post punk movement. Even though D.I.Y. and less refined, the song never veers off into sloppiness or sounding amateur. It stays a fun, enjoyable listening experience.
The third track of the EP, titled “Carnival of Sorts,” sports a brief carnival jingle in its intro and a catchy sound. The song has a good rhythm throughout and an extremely energetic and catchy chorus. The drum part on this track also stands out and does a great job of rounding out the song’s sound space, also helping the overall rhythm of the song.
The final track is “Stumble,” and does a good job of ending the EP. It bears a similar sound and tempo to the rest of the project, yet still manages to stick out. The drum part on this track is also well done, and I enjoy the small snare roll after each line during the chorus and transitionary parts.
I also enjoy the extended transition near the end of the song, which is mostly relegated to the drum part, some slight sound design, and vocals until guitar feedback is added, and then eventually accompanied by the main guitar riff once more. The vocals also have an extremely catchy rhythm to them and help to distinguish “Stumble” among the rest of the EP.
While nowhere near R.E.M. ‘s most popular or successful endeavor, “Chronic Town” still remains an important and extremely enjoyable entry into their discography.